macOS

Magesy

KOMPLETE 12 MAC

P2P | 22 April 2019 | 19.2 GB

(21.04.2019 updated) / Instruments & Effects

An excellent collection of tools for any music production task. The widest possible range of ultra-modern means covering the whole cycle of creating and producing music – from sound design, sound and production to information, mastering and live performance.

Included Products:
– Native Access v1.9.1

Instruments:
– Absynth 5 v5.3.1
– Battery 4 v4.1.6
– Battery 4 Factory Library v1.1.0
– FM8 v1.4.1
– Komplete Kontrol v2.1.2
– Kontakt v6.0.4
– Maschine 2 v2.8.2
– Maschine 2 Factory Library v1.3.2
– Massive v1.5.5
– Reaktor 6 v6.3.0
– Instruments for Reaktor 6
– Blocks Base v1.0.0
– Blocks Primes v1.0.0
– Flesh v1.0.0
– Form v1.1.2
– Kontour v1.0.0
– Mikro Prism v1.1.0
– Molekular v1.0.0
– Monark v1.3.0
– Polyplex v1.0.0
– Razor v1.7.0
– Reaktor Blocks Wired v1.0.2
– Reaktor Factory Library v1.1.0
– Reaktor Prism v1.6.0
– Reaktor Spark R2 v1.4.0
– Rounds v1.2.0
– Skanner XT v1.3.0
– The Finger R2 v1.3.0
– The Mouth v1.3.0
– TRK-01 v1.1.1

FX:
– Driver v1.3.1
– Bite v1.0.1
– Dirt v1.0.1
– Freak v1.0.1
– Choral v1.0.0
– Flair v1.0.1
– Phasis v1.0.1
– Guitar Rig 5 v5.2.2
– Rammfire v2.0.0
– Reflektor v2.0.0
– Traktor’s 12 v2.0.0
– Enhanced EQ v1.3.1
– Passive EQ v1.3.1
– Vari Comp v1.3.1
– Replika v1.3.2
– Replika XT v1.0.3
– RC 24 v1.3.1
– RC 48 v1.3.1
– Solid Bus Comp v1.3.1
– Solid Dynamics v1.3.1
– Solid EQ v1.3.1
– Supercharger GT v1.3.1
– Supercharger v1.3.1
– Transient Master v1.3.1
– VC 2A v1.3.1
– VC 76 v1.3.1
– VC 160 v1.3.1

       Install Notes: Just install and enjoy!

INFO/DEMO/BUY: http://mage.si/6ob0
KOMPLETE 12 Instruments and Effects macOS
https://thuglink.com/get/TLtk4OIEuS

image

image

KCNCrew Pack 2019-04-15 UB macOS

P2P | 15.04.2019 | 5.99 MB

Database of srials, Crcks for MAC OS X

Here is the well-known KCNcrew Pack (database of srials, crcks for Mac OS X). It’s like Srial Box, which has SN’s, crcks and patches. It would be best to have both of these collections, as this Pack often has serials you cannot find in the Serial Box. However, there is no way to view what serials, crcks and patches are new in this issue as compared to the previous.

image

Description: Open the dmg file, drag and drop the app where you like. However, there is no way to view what serials, crcks and patches are new in this issue as compared to the previous.
Mac Platform: UB
Includes: Only the application or game is included
OS version: Mac OS X 10.4 or later or maybe lower
Release Name: KCNCrew Pack 2019-04-15 UB macOS
http://beelink.in/17604/KCNCrew-Pack-2019-04-15-UB-macOS.html

image

ValhallaDelay v1.0.3.2 WiN MAC

Team R2R | 21 Apr 2019 | WiN: 3.6 MB | OSX: 2.7 MB

(Win32/64; AU, AAX*, VST3, VST)

Set The Controls For The Heart Of The Sun

ValhallaDelay is our take on classic and modern delay and echo units. Tape echo, BBD, old-school digital, pitch shifting – we’ve got you covered. ValhallaDelay offers the classics, and expands them into new dimensions, with the unique Ratio and Quad delay styles, the Ghost mode (which adds frequency shifting), and a powerful diffusion section that can create anything from smeared echoes to ethereal reverbs.

ValhallaDelay has seven different delay Modes:
• Tape: Modeled after vintage tape echoes, with all the features and quirks that were loved in the old hardware.
• HiFi: A higher fidelity tape echo, where the ability to precisely sculpt the sound is in your hands.
• BBD: A dark, low fidelity bucket brigade delay model.
• Digital: A cleaner, higher bandwidth delay, with the ability to dial in digital dirt.
• Ghost: A Valhalla DSP original! Combines the tape model from the HiFi mode with frequency shifting and a unique diffusion algorithm, for sounds that will split your skull in two.
• Pitch: A digital delay with added pitch shifting. Perfect for micro-shifting vocals, adding harmonies to synths, creating vast shimmering soundscapes, or shrieking sounds that forever spiral upwards or downwards.
• RevPitch: Reverse pitch shifting! Everything that goes in, comes out reversed.

Five tape Styles, for controlling the number of delay voices:
• Single: Same delay length & modulation for left and right channels.
• Dual: Independent delay lengths for left and right channels.
• Ratio: The right channel is set to a ratio of the left channel, and the feedback of left and right channels is mixed. Perfect for sounds that slowly transition from delay to reverb-esque.
• PingPong: A delay that bounces between the left and right channels, with the ability to set the left and right delays independently.
• Quad: Models the multi-head tape echoes of the 1960s and 1970s, with up to 4 delay taps on tap.

Cool features:
• Delay lengths ranging from 0 msec to 20 seconds. Dial in choruses and flangers, slapback echoes, longer delays, or long Frippertronic loops.
• Sync the delay to the beat, with straight/dotted/triplet options. Or, control the length via milliseconds.
• Age control, for adjusting the artifacts of the delay mode. Clean and shiny, old and dusty, or anywhere in between.
• Powerful Diffusion section, that can be used to smooth out the attacks of delays, or can be an amazingly smooth and lush reverb in its own right. Up to 20 seconds of diffusion time possible!
• Era control, for selecting between different variants of the delay modes.

Current Version: 1.0.3v2
Changes since initial 1.0.1 release:
– Reduced feedback noise in BBD mode. For minimum noise, turn Age down to 0%.
– Fixed bug in VST3 / Cubase 10 with loading presets
– New Windows installer, with improved default VST 2.4 installation locations, and the ability to select VST3 installation location.

INFO/DEMO/BUY: http://mage.si/MEWM
ValhallaDelay v1.0.3.2 WiN MAC-R2R
https://thuglink.com/get/T6PtG5G4Y1

image

Elka Panther v1.1.0 WiN MAC

Team R2R | 21 Apr 2019 | WiN: 9.8 MB | OSX: 9.1 MB

(Win32/64; AU, VSTi)

ELKA Panther was one of the most famous organs in 60s’ and 70s’ popular music. This is what ELKA said about the Panther Combo Organ in their 1960s’ brochure: “The PANTHER Combo Organ invites you to a new world of musical excitement. Compressed into her sleek, slender frame is a fantastic variety of thrilling organ sounds. The PANTHER is poised, waiting for your musical commands. Ask her for a biting, swinging attack and she’ll leap with ecstasy! Try her on solo and her tingling trebles will penetrate across the biggest room. Taunt this wildcat and her roaring bass tones will overwhelm the noisiest crowd. The PANTHER’s full-throated voice box houses all of the natural sounds of the orchestra, and she’ll mix them in an infinite variety of combinations to fit any mood. She’s a big theater organ, or a power-packed combo organ, or a pulsating solo organ, ready to respond instantaneously. Set her up in a couple of minutes and she’s ready for action! Rock ‘n roll, swing, jazz, or a ballad you name it and this transistorized cat will play it like no other organ in the world.”

image

THE CLASSIC
The ELKA Panther, also known as the Capri, is a classic Italian combo organ of the 60s.
The Panther produces bold, rich organ sounds and has a wide range of tonal variations (13). The Panthers 16′, 8′, 4′ Stops and Mixture voice levels are adjustable. Each note spans over three octaves, there is bass extension into grey keys and separate volume control for bass octave(s). Tone Decay adds percussive effect to Mixture voices. The Panther has powerful vibrato with speed and intensity control.

MAIN FEATURES
Physical modeling (no samples used) of vintage ELKA Panther 300 (1966-1972)
•13 treble stops in 4 ranks (16′, 8′, 4′, Mixture), plus 2 bass stops
•Treble voice stops: Bourdon 16′, Contra Oboe 16′, Strings 16′, Open Diapason 16′, Flute 8′, Strings 8′, Clarinet 8′, Oboe 8′, Flute 4′, Strings 4′, Salicet 4′, Mixture I, Mixture II
•Bass voice stops: Bass Bourdon 16′, Bass Dulciana 16′
•Adjustable 16′, 8′, 4′, Mixture, and bass mix
•In the harmony control section, the level of the 16′, 8′, 4′ and Mixture voices can be infinitely varied via the knobs
•Mixture I “Harsh” and Mixture II “Mellow” are a combination of 3 pitches: 2-2/3′, 2′ and 1-3/5′
•Bass pedal board
•Onboard vibrato: on/off, lite/heavy, slow/fast
•Tone decay: on/off, adds an attack percussive effect to Mixture tabs
•Optical swell (volume) pedal
•Rare LEM Echo Music tape delay effect
•The LEM is also a 2-channel mixer, with tone controls and pan
•Fully polyphonic

ADVANCED FEATURES
Additional Elka Panther 100 engine
•6 treble stops in 2 ranks (16′, 8′) plus 1 bass stop
•Treble voice stops: Bourdon 16′, Strings 16′, Flute 8′, Diapason 8′, Strings 8′, Trumpet 8′
•Bass voice stops: Bass Bourdon 16′, bass stop off lower octave plays the treble voices
•Knobs: On/Off, volume, vibrato speed, vibrato depth
•Effect Tab: Vibrato On/Off
•Extended 88 MIDI note range
•Separate treble/bass MIDI channel
•Adjustable vibrato speed and depth
•Adjustable 12-note tuning
•Vintage tube combo amp, with classic spring reverb, built-in opto tremolo, and cab simulation
•Velocity-sensitive key contacts attack/release
•All settings MIDI learnable
•Wide range of presets
•Windows and macOS installer (Windows 7 or newer, Mac OS X 10.7 or newer, Intel x86/64 CPU)
•32 and 64 bit host/OS support


INFO/DEMO/BUY: http://mage.si/JJ1S
Elka Panther v1.1.0 AU VSTi x86 x64 WiN MAC-R2R
http://beelink.in/37675/Elka-Panther-v1.1.0-AU-VSTi-x86-x64-WiN-MAC-R2R.html

image

Reaktor v6.3.0 UNLOCKED MAC

P2P | 19 April 2019 | 191 MB

Modular DSP Lab

Build custom synths, samplers, effects, and sound design tools Experiment with rack-style modular patching using Blocks Discover 70+ included instruments plus thousands of sounds in the User Library TRUE SONIC PLAYGROUND REAKTOR 6 is the ultimate creative toolkit for deep sound exploration, featuring cutting-edge DSP and high-fidelity sound. WHAT’S NEW: REAKTOR 6 makes advanced sonic experimentation more accessible than ever. Primary and Core Macro libraries are refined for ease of use with new categories and intuitive folder structure. Workflows are now more efficient thanks to a modernized interface, improved structure editing, and a revised property and navigation. Plus, new features like Table Framework, Bundles, and Scoped Buses unlock a new level of power to REAKTOR builders.

INTRODUCING BLOCKS
Blocks is a new framework that turns REAKTOR 6 into a fully-equipped, rack-style modular synth. Over 30 Blocks – including oscillators, filters, effects, modulators, and sequencers – come with REAKTOR 6. Among these Blocks are components from acclaimed NI synths such as ROUNDS and MONARK – all you need to start creating elaborate modular synth patches.

UNRIVALLED SOUND QUALITY
REAKTOR’s trademark sound quality is unmistakable. From anti-aliased oscillators and ZDF (zero delay feedback) filters to granular synthesis engines, a team of leading developers build every component in REAKTOR from the core level up using the most elegant algorithms. Their relentless pursuit of DSP excellence keeps this sonic toolkit at the head of its class. And everything inside is organized for immediate use in REAKTOR’s macro libraries for fast, creative building sessions.

FOR SOUND MAKERS OF ALL LEVELS
Newcomers can quickly start playing with over 70 REAKTOR Factory instruments, each loaded with presets to get you started. Or download one of over 4,000 free instruments created by the REAKTOR user community. Once the REAKTOR environment becomes familiar, patching with Blocks unlocks a world of on-the-fly sonic experimentation. And for those who want to dig deeper into the creative process, REAKTOR lets you build complete instruments from the ground up.

JOIN THE REAKTOR COMMUNITY
The REAKTOR community unites thousands of artists, sound designers, and instrument builders at all skill levels passionate about sound and instrument design. Discover the latest additions to the user library, upload your own creations, discuss new tips and tricks in the learning section, and be a part of a highly innovative and dedicated community of builders committed to advancing the future of sound.

READY FOR KONTROL
Control REAKTOR directly from a KOMPLETE KONTROL S-Series keyboard or MASCHINE. With the REAKTOR API, you can design fully-integrated performance setups. Create your own touch strip integration, custom displays, parameter mappings, light guide configurations, and more. Hybrid software/hardware instruments that are a true evolution in instrument design.

POWERED BY REAKTOR
REAKTOR is the technology platform behind some of NI’s most acclaimed instruments and effects like RAZOR and MONARK, TRAKTOR’s built-in effects, and the MASCHINE 2 Drum Synths. Discover the full extent of REAKTOR’s capabilities with these advanced products – all powered by REAKTOR.

What’s New?
v6.3.0 – 2019-04-08:
•This update provides a fully overhauled user experience for the Blocks framework.
•New file format, called “Rack”. The new file format is specifically suited to the Blocks framework, and allows to save patches, including the wiring, in a very small file size to enable saving patches with the host chunk.
•Patching on panel for Reaktor Full and Reaktor Player users in Rack mode.
•Quick Search Box for convenient browsing in Rack mode.
•“Visible on/off” property for terminal ports. The ports can now also have an user defined image.
•Visual representations of the audio in and out terminals on panel, supporting up to 40 ports.
•Min width and height properties for instruments and macros.
•New font “Roboto Condensed Light” for the text module.
•Global switch from A to B view for all instruments at once.
•Coloured wires – eight different colours are available to distinct wires in a patch.
•Consistency for file and project name in Rack mode.
•“Welcome Screen” on start up.
•“Load new Rack” entry to the Preference “On startup”.
•Dedicated NEW.nksr Rack file to the Library folder of the application.


INFO/DEMO/BUY: http://mage.si/JAK5
Reaktor 6 v6.3.0 AU VST STANDALONE 64Bit MAC OSX
http://beelink.in/23778/Reaktor-6-v6.3.0-AU-VST-STANDALONE-64Bit-MAC-OSX.html

image

GlissEQ v3.11 WiN MAC

Team R2R | 19 Apr 2019 | WiN: 8.7 MB | OSX: 26.4 MB

Parametric Equalizer

GlissEQ is a parametric equalizer AAX, AU and VST plugin for professional music production applications. The most interesting and unique feature of GlissEQ is the dynamic behavior of its filters. To understand dynamic filtering, let’s begin by re-stating something probably obvious about a normal equalizer: you always get what you set. In other words, when you specify a 6 dB boost at 100 Hz you get exactly 6 dB of boost at 100 Hz. But GlissEQ is different. When you specify a 6 dB boost at 100 Hz, you don’t necessarily get a 6 dB increase in gain. Instead, the filter’s effective gain is adjusted dynamically according to the program material. That is what we mean by dynamic filtering and it is the key to GlissEQ.

Applications

  • Track equalizer
  • Mastering equalizer
  • Stereo, mid-side, 5.1 surround equalizer
  • Dynamic equalizer
  • FFT spectrum analyzer
  • Multi-track spectrum comparison
  • Transparent equalizer
  • Smooth harmonic enhancer

 

The most interesting and unique feature GlissEQ offers you is its filters with dynamic behavior. Beside this wonderful “dynamic behavior”, GlissEQ features real-time spectrum analyzer. Moreover, the spectrum of a track can be exported to any other instance of GlissEQ thus making real-time inter-track spectrum comparisons possible. This can help you free frequency ranges in one track to allow the instrument in another track occupying same frequencies breathe.

GlissEQ features:

  • Filters with dynamic behavior
  • Real-time spectrum analysis
  • Real-time spectrum import/export
  • Up to 32 parametric filter bands
  • 16 filter types
  • Harmonically-enhanced filter type
  • Narrow-band sweeping
  • EQ area highlight
  • Static spectrums display
  • User interface window resizing
  • Stereo and multi-channel processing
  • Internal channel routing
  • Channel grouping
  • Mid/side processing
  • Up to 8x oversampling
  • 64-bit floating point processing
  • Preset manager
  • Undo/redo history
  • A/B comparisons
  • Contextual hint messages
  • All sample rates support
  • Zero processing latency

 

Changelog:
– This version implements the following changes:
– Added Retina support on macOS, and automatic high-resolution UI size adjustment on Windows.
– 30% lower CPU usage on AVX2-capable processors (in 64-bit mode).
– Fixed issue with “Spectrum Offset” display modes.
– Added “anti-aliasing” spectrum display mode.

 

INFO/DEMO/BUY: http://mage.si/A5uU
GlissEQ v3.11 AU AAX VST VST3 WiN MAC-R2R
http://beelink.in/11890/GlissEQ-v3.11-AU-AAX-VST-VST3-WiN-MAC-R2R.html

imageimage

BMS v2.3 WiN MAC

Team R2R | April 19 2019 | WiN: 6.2 MB | OSX: 18.7 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

BMS is a bass management system AAX, AudioUnit and VST plugin for professional surround sound applications. BMS is able to extract and manipulate low-frequency content of non-LFE channels in up to 7.1 surround configurations. The main purpose of BMS is to simplify evaluation of low-frequency content present in non-LFE channels during mastering. At the same time, it is possible to mix extracted low-frequency content to the LFE (“Low Frequency Effects”) channel. An option to remove the extracted signal from non-LFE channels is also available. In BMS you can specify a desired frequency of the crossover filter, and adjust its steepness.

Applications:
– 2.1 bass management
– 5.1 surround bass management
– 7.1 surround bass management
– Low-freq monitoring through subwoofer

INFO/DEMO/BUY: http://mage.si/dqZh
BMS v2.3 AU AAX VST VST3 x86 x64 WiN MAC-R2R
http://beelink.in/6168/BMS-v2.3-AU-AAX-VST-VST3-x86-x64-WiN-MAC-R2R.html

image

ValhallaDelay v1.0.1.3 WiN MAC

Team R2R | 19 April 2019 | WiN: 3.7 MB | MAC: 2.7 MB

(Win32/64; AU, AAX*, VST3, VST)

Set The Controls For The Heart Of The Sun

ValhallaDelay is our take on classic and modern delay and echo units. Tape echo, BBD, old-school digital, pitch shifting – we’ve got you covered. ValhallaDelay offers the classics, and expands them into new dimensions, with the unique Ratio and Quad delay styles, the Ghost mode (which adds frequency shifting), and a powerful diffusion section that can create anything from smeared echoes to ethereal reverbs.

ValhallaDelay has seven different delay Modes:
• Tape: Modeled after vintage tape echoes, with all the features and quirks that were loved in the old hardware.
• HiFi: A higher fidelity tape echo, where the ability to precisely sculpt the sound is in your hands.
• BBD: A dark, low fidelity bucket brigade delay model.
• Digital: A cleaner, higher bandwidth delay, with the ability to dial in digital dirt.
• Ghost: A Valhalla DSP original! Combines the tape model from the HiFi mode with frequency shifting and a unique diffusion algorithm, for sounds that will split your skull in two.
• Pitch: A digital delay with added pitch shifting. Perfect for micro-shifting vocals, adding harmonies to synths, creating vast shimmering soundscapes, or shrieking sounds that forever spiral upwards or downwards.
• RevPitch: Reverse pitch shifting! Everything that goes in, comes out reversed.

Five tape Styles, for controlling the number of delay voices:
• Single: Same delay length & modulation for left and right channels.
• Dual: Independent delay lengths for left and right channels.
• Ratio: The right channel is set to a ratio of the left channel, and the feedback of left and right channels is mixed. Perfect for sounds that slowly transition from delay to reverb-esque.
• PingPong: A delay that bounces between the left and right channels, with the ability to set the left and right delays independently.
• Quad: Models the multi-head tape echoes of the 1960s and 1970s, with up to 4 delay taps on tap.

Cool features:
• Delay lengths ranging from 0 msec to 20 seconds. Dial in choruses and flangers, slapback echoes, longer delays, or long Frippertronic loops.
• Sync the delay to the beat, with straight/dotted/triplet options. Or, control the length via milliseconds.
• Age control, for adjusting the artifacts of the delay mode. Clean and shiny, old and dusty, or anywhere in between.
• Powerful Diffusion section, that can be used to smooth out the attacks of delays, or can be an amazingly smooth and lush reverb in its own right. Up to 20 seconds of diffusion time possible!
• Era control, for selecting between different variants of the delay modes.

REPACK: VST3 was not included in the previous release.
NOTE: VST3 is x64 only.

INFO/DEMO/BUY: http://mage.si/MEWM
ValhallaDelay v1.0.1.3 WiN MAC-R2R
https://thuglink.com/get/T6PtG5G4Y1

image

QLab Pro 4.4.5 macOS

TNT | 18 April 2019 | 13.49 MB

QLab makes it simple to create rich multimedia designs for live performances and installations. From Broadway to the West End, in churches, museums, store fronts, concert halls, and theaters around the world, people use QLab to bring their audio and video to life.

image

Design Tools
– Unlimited Cue Lists with unlimited cues
– Unlimited Cue Carts with 1 to 64 buttons per cart
– Design in Edit Mode and run your performance in Show Mode
– Non-destructive design tools never modify your media files
– Undo any edits
– “Audition” cues locally without sending audio, video, or lighting output to the stage
– Cue templates and Workspace templates
– “Record cue sequence” tool, to capture timing and play it back again the same way later
– “Paste cue properties” tool, to selectively paste properties from one or more cues onto other cues in your workspace
– Text search of cue lists and cue carts
– Extensive AppleScript and OSC APIs
– A comprehensive Status Window to guide troubleshooting
– Powerful and painless remote editing via QLab Remote

Lighting
– Control unlimited Art-Net DMX universes.
– Create unlimited light instruments (like channels, but can be named anything, not just numbers).
– Create unlimited light groups to collect related instruments together, like “all”, “stage right”, “LEDs”, “floor”, or “floor front left”.
– Use both conventional dimmers and more complex lights with multiple parameters (includes support for percentage-based parameters, as well as both 8-bit and 16-bit direct DMX parameters.)
– QLab-style levels fading: it’s simple to build looks and effects that you can layer and reuse. A Light cue changes only the levels you set in the cue, and leaves the rest unchanged.
– Build sophisticated lighting designs by chaining Light cues together to build complex cue sequences out of simpler parts, then trigger the sequence with a single “GO” like a chain of dominoes.
– As with all cues in QLab, Light cues can be copied, pasted, reordered, paused, resumed, and stopped at any time
– All QLab fade curves are available for Light cues; including linear, s-curve, or totally custom shape fades.
– See and manipulate the current levels of all your lights using the Light Dashboard.
– If you need to sneak in live edits from the Dashboard, you can optionally tell QLab to apply the new values “over time” so they’ll fade in smoothly.
– Open the Audition Window to view the effects of light cues “blind” in the dashboard. Close the Audition Window, and the dashboard will instantly revert back to show the live state of your lights.
– Adjust your lights in the dashboard, then:
-Create a new cue with just the changes,
-Create a new cue with all instruments,
-Update the last-run light cue with the changes, or
– Trace back the edits to each cue that most recently modified each instrument.
– Map your favorite MIDI controller to light commands, for editing either the light dashboard or individual cues.
– For motorized MIDI hardware, QLab supports MIDI “feedback” from the light dashboard and individual light cues. (Aka “flying faders”.)
– Use QLab’s powerful light command language, with autocompletion, instrument or group parameter addressing, ranges, ad-hoc groups, and command history, to efficiently edit both the light dashboard and individual light cues.
– View light cues as sliders, tiles, or raw command text at any time.
– View the Light Dashboard as sliders or tiles.
– Edit lights via keyboard entry (on the command line) or with the mouse (via clicking and dragging.)
– Easily delete individual light commands from any cue, and of course undo any edits.
– In slider view, expand group commands into all the individual instruments currently in the group.
– In slider view, indicators show the current live value of each light in a cue.
– In slider view, select multiple commands to temporarily “gang” them, so you can adjust them up or down together.
– Quickly see when a group of instruments is set to all the same level or a mix of different levels.
– Batch-edit multiple light cues by selecting them and then simply editing any light command they all share. (Or adding a new command to all of them at once.)
– Use AppleScript, either externally or via Script cues, for advanced programming techniques like algorithmically generating a series of Light cues.
– Control both the Light Dashboard and individual Light cues via OSC messages.

Audio
– Support for up to 64 channels of audio output
– Support for up to 24-channel audio files
– Support for up to 24 channels of live audio input
– Audio waveform view
– Unlimited slices of your media files for looping and vamping
– Sample-accurate playback synchronization across multiple cues
– Audio panning and volume fading
– Customize output channel names
– Edit audio device routing
– Audio effects on any cue
– Audio effects on cue outputs
– Audio effects on device outputs
– Fade audio effects dynamically

Video
– Full-screen or custom geometry for Video cues
– Fade and animate videos
– 1000 layers of video
– Masking and edge-blending across multiple projectors
– Warping and keystone correction
– Basic video effects
– Live camera input with the Camera cue
– Syphon input & output
– Blackmagic input & output
– Text & titles with the Text cue

Show Control
– Send OSC or UDP messages using the Network cue
– Fade your OSC messages over time, in 1D or 2D
– Inject live values from your workspace into outgoing OSC messages
– Send all MIDI and MIDI Show Control messages with the MIDI cue
– Send MIDI messages by playing MIDI files with the MIDI File cue
– Run your own AppleScripts with the Script cue
– Generate LTC or MTC output with the Timecode cue
– Trigger cue lists from incoming LTC or MTC timecode
– Remote control via OSC and MIDI

Requirements:

  • Intel, 64-bit processor
  • OS X 10.10 or later

 

CHANGUES: http://mage.si/mqVT
INFO/DEMO/BUY: http://mage.si/k5Eb
QLab Pro 4.4.5 macOS-TNT
http://beelink.in/25876/QLab-Pro-4.4.5-macOS-TNT.html

image

Soniformer v3.8.0 WiN MAC

Team R2R | 18 April 2019 | WiN: 8.3 MB | OSX: 26 MB

PLATFORMS: WiN32/64 – VST/VST3/AAX | MacOSX – AU/VST/VST3/AAX

Soniformer is a spectral mastering dynamics processor plug-in for professional music production applications.  During its operation, Soniformer splits incoming sound signal into 32 spectral bands.  This makes Soniformer a powerful and precise tool for mastering and sound restoration purposes.

Applications

  • Spectral mastering dynamics plugin
  • Spectral downward compressor
  • Spectral stereo panner
  • Spectral mid-side stereo-widener
  • “Surgical” resonance-taming plugin
  • Restoration assistance plugin
  • Stereo, mid-side, 5.1 dynamics plugin
  • Analog-style spectrum analyzer

 

Soniformer features:

  • 32-band dynamics processor.
  • Envelope-driven parameters.
  • 32-band “analog” spectrum analyzer.
  • Stereo balance and correlation meters.
  • Multi-band panning.
  • Narrow-band sweeping.
  • Stereo and multi-channel processing.
  • Internal channel routing.
  • Channel grouping.
  • Mid/side processing.
  • Up to 8x oversampling.
  • 64-bit floating point processing.
  • Preset manager.
  • Undo/redo history.
  • A/B comparisons.
  • Contextual hint messages.
  • All sample rates support.
  • 11 ms compensated processing latency.

 

The update includes the following changes:

  • This version adds ProTools AAX-64 plugin format support.

 

INFO/DEMO/BUY: http://mage.si/q1br
Soniformer v3.8.0 AU AAX VST VST3 x86 x64 WiN MAC-R2R
http://beelink.in/11205/Soniformer-v3.8.0-WiN-MAC-R2R.html

Poll

Please, rate your DAW

Other polls...